Sagit ramiyev's dramaturgy in literary and cultural context during the beginning of the xxth century
| Autor | Liliya F. Nuriyeva - Tagir Sh. Gilazov - Flera S. Saifulina - Zinulla Zh. Mutiev |
| Cargo | Kazan Federal University - Kazan Federal University, Tel.: 89600458350. Email: tgilazov@bk.ru - Kazan Federal University - West Kazakhstan State University after M.Utemisov |
| Páginas | 411-420 |
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 8 - Nº 07 - Ano 2019 – Special Edition
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
412
Ramiev’s plays. Along with this,
attention is paid to the traditions that
provide a connection with the literary
and historical periods of the national art
of words, as well as to the identification
of individual features in S. Ramiev’s
works. The study of the playwright’s
work in the context of the literary and
cultural context of the early twentieth
century makes the scientific novelty of
this study.The methods and principles
have been used in scientific searches to
comment on literary phenomena and the
literary process in close interconnection
and development - the principle of
historicism, cultural-historical,
comparative-historical, and biographical
principle.
Keywords: Tatar literature, culture,
literary relationships, drama, Sagit
Ramiev.
Introduction
The beginning of the twentieth
century, to which Sagit Ramiev's
creative activity (1980-1926) belongs, is
characterized by the intensive
development of the educational
movement. As we noted in the previous
work, “The beginning of the 20th
century is being defined as a period of
emerging Tartar scientific thought,
theory of literature, serious discourse
about the literary terminology and
concepts, as well as the time of
achievements in this area” (Gilazov et al,
2015). Many modern researchers turn to
the study of the national literary process
development during the period under
study: in some works, the issue of this
period typography was considered; in
others, children's or religious literature
has become the object of research
(Ibragimov et al., 2016); in some other
works, they raised the problem of the
comparative study of Tatar literature
with the literature of Turkic peoples, as
well as the peoples of the Volga and Ural
regions (Mingazova et al., 2018;
Mingazova & Sulteev, 2014); the
influence of folklore on literature, the
penetration of folklore motifs into
literary texts is also often the subject of
research by modern scholars (Golikova
et al., 2017).
The creative activity by S.
Ramiev begins during the years of the
first Russian revolution. He has high
hopes for democratic transformations in
society and begins to write with
enthusiasm.
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