Obra de arte e filosofia: uma leitura de Franz Kafka a partir de Theodor Adorno

Autor:Pedro Savi Neto
Páginas:3-20
RESUMO

O presente artigo se propõe a tensionar a relação entre filosofia e obra de arte no pensamento de Theodor Adorno com especial atenção à literatura de Franz Kafka. Pretendemos percorrer o caminho argumentativo construído por Adorno, desde a sua tese de habilitação até sua última obra, refletindo sobre os conceitos centrais de sua obra, buscando explicitar a relação entre filosofia e obra de arte

 
TRECHO GRÁTIS
3
Revista de Ciências HUMANAS, Florianópolis, v. 51, n. 1, p. 03-20, jan-jun 2017
Trata-se de uma pesquisa teórica conduzida
a partir de uma releitura do pensamento do
    
       
       
movimento dialético com a literatura do escritor
  
  
    
  
       
      
      

administrada pela racionalidade iluminista que se
      
       
    

 


This is a theoretical research conducted from
rereading the thought of the philosopher Theodor
       
Frankfurt School, with emphasis on the character
of social criticism of his thinking in dialectical
movement by reading Franz Kafka, making use
of works of both authors, with special attention
to direct references of the philosopher about the
writer’s work, using up eventually commentators.
From an analysis of the relationship between
philosophy and works of art as thought by Adorno,
the goal is to show that both the thought of the
philosopher and Kafka’s literature are marked by
criticism of a society managed by Enlightenment
rationality, which converts to violence against the
subject himself. Although distinct, philosophy and
works of art complement each other as resistance
       
second.
Keywords: philosophy and work of art;
administered society and negative dialectics;
Theodor Adorno and Franz Kafka.
Considerações iniciais
Trata-se de uma pesquisa teórica conduzida a partir de uma releitura do
   
 
 


             
        
 

      
Theodor Adorno
Work of art and philosophy: Franz Kafka, a reading based on Theodor
Adorno

Pedro Savi Neto
Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre/RS, Brasil
NETO
        os pela crítica de uma
sociedade administrada pela racionalidade iluminista que se converte em

       

 

Racionalidade instrumental e sociedade administrada
      
é a
  Dialética do esclarecimento   

     
        



          
     


  
      


por detrás do esclarecimento do mundo.
         



pela sua po
    
   
   

  
   


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